Top model Lilico, having recently undergone multiple cosmetic surgeries, begins to experience troubling side effects. As she desperately tries to retain her perfect image, Lilico descends into a world of nightmares and makes those around her miserable.

In the distant future, a mysterious floating object appears suddenly in the center of Tokyo. The top secret mission unit Alta Mira Agency or AA is comissioned by the Defense Agency to deal with this mysterious invader. In charge of the robot training is Funagai Otsuya. He trains five special girls to use the Battle Soles to push back the enemy even at the cost of their lives.

赖口凉子在FBI进修后受北海道警局本部长之邀，出任警方的特聘法医。赖口上任后，收到一封邮件，当她解开邮件的关键信息后，警方在郊外森林中找到了一具无名女尸。赖口根据第二封邮件的提示，从尸体的胃中检测到了某种生物后，与巡查部长向井一起赶往支笏湖，在湖边上的帐篷里发现了第二具女尸。两位受害人之死都给赖口留了救人的余地，这是凶手向赖口发起的挑战，此时独自回家的赖口被人跟踪并遭到了袭击……

赖口凉子在FBI进修后受北海道警局本部长之邀，出任警方的特聘法医。赖口上任后，收到一封邮件，当她解开邮件的关键信息后，警方在郊外森林中找到了一具无名女尸。赖口根据第二封邮件的提示，从尸体的胃中检测到了某种生物后，与巡查部长向井一起赶往支笏湖，在湖边上的帐篷里发现了第二具女尸。两位受害人之死都给赖口留了救人的余地，这是凶手向赖口发起的挑战，此时独自回家的赖口被人跟踪并遭到了袭击……

故事发生在大约是在2010年初秋的时候。下午6时左右，东京湾上空突然出现了不明生命体并且以时速20KM的速度向着涩谷区上空移动。怪物的形态象墨鱼，身长272M，容易让人认为是海里产生的生命体，防卫厅向接受委托任务的民间特殊部队‘Altamira代理部’下达了军事出动的命令。 　　主人公船贝乙夜从正在进行机器人操纵训练的少女们中间挑选着能够完成任务的人选。为了这次即将到来的战役，她们正暗中接受着训练。然后，她们将被告之去迎接这场迫在眉睫而结果未知的战斗。 　　为了能够打败敌人，即使是由于遥控操纵而牺牲了被称为“战斗之英”的小型机器人也在所不惜。 　　她们并不是有血有肉的人类，而是作为活炸弹存在的特殊机器人。一场以自己的生命为赌注与未知生命体的战斗就要开始了……

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.